by Jan Voss
Print : book
37 x 27 x 3.5 cm 14.6 x 10.6 x 1.4 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 75 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from Éditions RLD
Invoice from the gallery
Dimensions cm • inch
37 x 27 x 3.5 cm 14.6 x 10.6 x 1.4 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: France
Things gradually bang
Text Jean Daive / Engravings Jan Voss
based on a reading of "Tender Buttons" by Gertrude Stein, illustrated with 4 woodcuts by Jan Voss.
It was directly at the letterpress with the complicity of the craftsman Christian Mameron that Jan Voss produced this series of 4 lost wood engravings (The wooden plate is re-engraved between each pass of color by the artist.)
Artist's book printed in 75 copies.
The text by Jean Daive, composed by hand in Garamont body 16 and the woodcuts by Jan Voss were printed on the typographic presses of the RLD workshop.
The text pages are punctuated with original typographic vignettes drawn by Voss.
The four woodcuts are signed by Jan Voss, the colophon by the author and the artist.
Completed printing by Christian Mameron on February 26, 1999 at the Métairie Bruyère graphic art center in Parly en Puisaye.
Arches vellum paper.
Red canvas case-folder box.
Editions Robert and Lydie Dutrou 1999
About the seller
ÉDITIONS R.L.D. • France
Artsper seller since 2015
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Works in prints from Jan Voss
Presentation
Jan Voss was born in Hamburg on 9 October 1936. He studied at the Munich Art Academy from 1956 to 1960. In 1966/67 Voss was a guest lecturer at the Hamburg Art Academy. He was a professor at the École Nationale Superieure des Beaux-Arts in Paris between 1987 and 1992. Work by Voss was shown at the Kunsthalle in Kiel in 1997 and at the Städtische Galerie Villa Zanders in Bergisch Gladbach in 2002. That same year he had a one-man show at Art Cologne to great critical acclaim.
The theme informing Jan Voss's work is 'creating order' in the midst of the perpetually moving chaos of a complex situation. Voss experiments with various different techniques and materials; there are powerfully vibrant works on canvas in saturated colour as well as quiet, narrative works that are more linear than painterly. They contrast sharply with paper reliefs made up collage-like of torn watercolours.
What all Voss works, be they canvases, wood or paper reliefs or even watercolours, have in common is an accumulation of diverse colour and form elements which interlock, intersect and are interlinked by lines, drawings and fragments of drawings.
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