Entablature, 1974

by Roy Lichtenstein

Print : Screen Print

74.1 x 114 cm 29.2 x 44.9 inch

$27,835

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About the artwork

Type

Numbered and limited to 16 copies

1 copy available

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Dimensions cm inch

74.1 x 114 cm 29.2 x 44.9 inch Height x Width x Depth

Framing

Not framed


Tags

Abstract artworks

Abstract art

golden

Artwork sold in perfect condition

Artwork location: Germany

Screenprint with Embossing. 
Handsigned and numbered. 

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About the seller

Professional art gallery • Germany

Artsper seller since 2017

Vetted Seller


Imagine it at home

Roy Lichtenstein, Entablature
United States  • 1923  - 1997

Presentation

We know him for his depiction of crying women, specially blondes, he is nonetheless one of the most popular artists of the twentieth century. Roy Fox Lichtenstein was born in 1923 in Manhattan, New York and died in 1997. He was one of the biggest contributors of American Pop art, besides great masters of the genre such as Andy Warhol.

At first, Roy Lichtenstein, drew during jazz concerts, which he was passionate about and portrayed the musicians. In 1939, he took summer classes at the art school "Students League of New York" and then he enrolled at the Ohio State University where he took some classes of Fine Arts. Later on, he became himself a professor in the same field, at Rutgers University, where he met Allan Kaprow who greatly influenced his artwork.

In the beginning of his career, from 1951 to 1956, Lichtenstein alternated between Cubism and Expressionism, he then turned towards a more abstract form of Expressionism by the end of the 50s.

To create his pieces, Roy Lichtenstein deliberately used the codes of popular culture. Comics and advertisements mixed in order to create a fantasy pop. He then started using the images of comic strips and commercial advertisements to expose American consumerism and turned them into derision.The more his pieces resembled the original, the more the critics were significant.

In his pieces, the lines are thick, the colors bold and saturated. Roy Lichtenstein uses a specific technique, a mask, that allows him to give his images the aspect of a pattern of dots, evoking the screen printing process used in the advertising industry.

His works can be found in collections in numerous museums all around the world.

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