Sans titre
Vassily Kandinsky
Fine Art Drawings - 31 x 49 cm Fine Art Drawings - 12.2 x 19.3 inch
$83,504
Print : woodcut
38.5 x 28 x 0.1 cm 15.2 x 11 x 0 inch
One of the last works available by this artist
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Type
Numbered and limited to 75 copies
1 copy available
Signature
Stamped
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
38.5 x 28 x 0.1 cm 15.2 x 11 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Italy
Gravure 10 pour Origine is a modern artwork by Wassily Kandinsky. Black and white woodcut. Numbered on the lower margin. Edition of 9/75. This is the second edition, unsigned and monogrammed on the plate with a "K" at the bottom left of the print. It belongs to the "Origine" series. Good condition, except for some signs of foxing. Ref. C. Derouet, J. Boissel, "Kandinsky. Oeuvre de Vassily Kandinsky (1866-1944)", Centre Georges Pompidou.
Exhibition catalogue at the Musèe National d'arte moderne - Centre Georges Pompidou, Paris (30 October 1984 - 28 January 1985). pp.430 -431. "Kandinsky in Paris 1934-1944". Exhibition catalogue at Palazzo Reale, Milan (September-October 1985). p.274; Catalog Roethel, The Graphic Work of Kandinsky, Dumont, no. 203. Vasily Vasil'evic Kandinskij (1866 - 1944) was a Russian painter naturalized French, also anglicized as Vassily Kandinsky, precursor and founder of abstract painting. In this essay Kandinsky dedicates himself to the graphic part that can exist even without color. The point is the first nucleus of the meaning of a composition, it is born when the painter touches the canvas; it is static. The line is the trace left by the moving point, therefore it is dynamic. It can be horizontal, vertical and diagonal. It can be broken, curved, mixed. The individual sounds can be mixed together; the more the line is varied, the more the spiritual tensions it arouses change: dramatic if it is broken, more lyrical if it is curved. The thickness also changes: it can be thin, marked, thick, variable. The surface is the material support intended to receive the content of the work, usually a canvas (but Kandinsky also painted ceramics and plates). This second edition from the original woodcuts was authorized by the artist's widow Nina Kandinsky.
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