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La Catwoman argentée,
2024
by Annouck Dupont
Sculpture : bronze, chrome
59 x 30 x 30 cm 23.2 x 11.8 x 11.8 inch
$6,959
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About the artwork
Type
Unique work
Signature
Not Signed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
59 x 30 x 30 cm 23.2 x 11.8 x 11.8 inch Height x Width x Depth
Support
Sculpture sold with Bronze pedestal
Dimensions of pedestal:
0.3 x 30 x 30 cm
0.1 x 11.8 x 11.8 inch
Display
The sculpture cannot be displayed outdoors
Tags
Artwork sold in perfect condition
Artwork location: France
This work, both enigmatic and magnetic, is a contemporary sculpture of striking elegance. Made of chromed metal, it reflects the surrounding light in a captivating way, creating a play of reflections and sparkles that immediately catches the eye. The slender silhouette of the human figure is distinguished by its fluid and organic lines, demonstrating remarkable technical mastery. The posture of the sculpture, slightly swaying, brings a dynamic and graceful, almost ethereal attitude. The face, delicately sculpted, is slightly inclined, reinforcing the impression of movement and life. Every detail, from the curvature of the legs to the careful proportions of the arms, is perfectly executed, emphasizing the beauty and precision of the anatomy represented. The choice of a delicately polished circular base adds a dimension of sophistication, allowing the sculpture to rise with distinction. This work transcends simple representation to become a celebration of the human form and light, merging the elements in a harmonious and innovative way. Such a piece does not fail to arouse admiration and wonder, both for its impeccable technique and its timeless aesthetics. It stands out as a true contemporary masterpiece, capable of transforming any space into a sanctuary of art and beauty.
Discover more by the artist
Captain América Baby
Annouck Dupont
Sculpture - 145 x 60 x 50 cm Sculpture - 57.1 x 23.6 x 19.7 inch
$12,178
Catwoman, réflexion
Annouck Dupont
Sculpture - 128 x 60 x 95 cm Sculpture - 50.4 x 23.6 x 37.4 inch
Price upon request
Presentation
Annouck Dupont gave shape to the characters in a colorful and fairy tale that translates this part of unconsciousness rooted in childhood.
Babies, ladies craft, rabbits, peace mannequens are the asymmetrical, nickel-plated, graceful or burlesque subjects that populate this poetic and quirky universe.
Absolute test of truth, sculpture takes everything, dominates everything.
Starting with the one who lets himself be crossed. The eye in a stylus, the body on the lookout, she takes in the background in the arena of her bringing to life all the dips and hollows, all the burns and the detours, all the invisible presences of what will emerge from the material by his entrails and by his hands.
Come in ! There is the Puss in Boots, Lady Craft, Little Red Riding Hood, Grated Carrot and the babies: Dancer, Chatter, Moon, Prankster or Questioner; there is a world of terrible children there, a small people imagined by a creative fairy, Annouck Dupont, Belgian sculptor, who shares her dream with us.
So yes, Annouck Dupont's inspiration comes from children and their drawings. She wants to transcribe their spontaneity, the way they blur the proportions with naivety, she wants to make the expression pure, the first draft. It is a way for her to break free from codes, to break the academicism of her beginnings, to shift her style. Annouck Dupont sculpts the expressive movement, the exhilarating and generous language of the child who says, mouth and palm open towards the sky in an almost mystical posture,
" again ! ".
Annouck Dupont tells her fairy tale, that of a mother, half-woman, half-alien, super heroine between Snow White and Elastigirl, taller, stronger who incubates her children, the magical pillars of our humanity. [...] With all his strength Annouck Dupont will draw on childhood to offer us this rare essence, this fighting heart which leaves us while growing up. To look at his works is to see again the child that we were, who held the world in his hands. And it is perhaps to hand us this sparkling mirror that she so often uses polished bronze and resin, so that in the smooth contours of these stammering bodies we can find ourselves there, enfant terrible, master of the sacred world. his mother Queen of the Universes. She also comes from Annouck Dupont.
It is a universal mother who engenders the first questioning: who am I? she is a matrix which like a stone that we throw into living water never ceases to increase the circles of its creation and to seek the voice of its unconscious, that indescribable dream which holds us all and which it dissects in beauty for everyone.
Enter, For Annouck Dupont, it is a question of going backwards, towards the beginning, a return to the unharmed matter, the Newborn.
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