by René Magritte
Print : lithography
60 x 45 x 0.1 cm 23.6 x 17.7 x 0 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Numbered and limited to 275 copies
1 copy available
Signature
Plate signed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Medium
Dimensions cm • inch
60 x 45 x 0.1 cm 23.6 x 17.7 x 0 inch Height x Width x Depth
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
Lithograph signed and numbered. From the original work, this interpretive lithograph was created, using the traditional lithographic technique, namely, one drawing per color, one color per press pass, in the workshop of Philippe Moreno, publisher and printer art, with the authorization and under the control of ADAGP, representing the Magritte Estate. This lithograph was printed in Paris in 2010, on pure 100% cotton rag paper, BFK Rives, 300 g/m², manufactured in the Arches paper mill, in the Vosges. Exclusive and limited edition of 275 numbered copies, to which are added 45 non-commercial proofs, marked HC and numbered from 1 to 45, including 15 reserved for the Magritte Estate. The lithograph is signed in the plate by Magritte and includes in the margin, the dry stamps of the ADAGP, of the Magritte Estate, as well as the initials of its sole representative, Mr. Charly Herscovici, also President of the Magritte Foundation and Chairman of the Magritte Museum in Brussels.
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Presentation
René François Ghislain Magritte (1898-1967) was a Belgian artist. His childhood was marked by the death of his mother, who killed herself, but also by his meeting of Georgette Berger during his teenage years, whom he later married and who became his only muse.
He moved to Brussels in 1915 and produced his first impressionist paintings. He started his studies at the Royal Academy of Fine Arts in Brussels and discovered cubism and surrealism. He started working as a designer in a wallpaper factory, and then as a freelance graphic designer. In Brussels, he befriended Belgian surrealists such as Goemans and Nougé.
He moved to Paris in 1927, where he met some of the most prominent writers and artists associated with the surrealist movement: André Breton, Luis Bunuel, Salvador Dali, Paul Eluard, Joan Miró... Certain differences of opinion with the surrealist group drove him to return to Belgium, where he became the leader of the movement. His anxiety over the war that he felt was coming reinforced his attachment to the surrealist thinking, but also his political involvement.
René Magritte was interested in the difference between objects and their representation. His body of work explores the mysteries we perceive from various aspects of everyday life, using sometimes language, other times theatrical settings to display bizarre objects. He used familiar objects in his paintings, encouraging us to change our perception of the most common things, by bringing our subjectivity into the equation.
His dreamlike style earned him worldwide recognition starting in the 1960s. His works have been exhibited at the Museum of Modern Art in New York, the Art Institute of Chicago, the Boijmans Van Beuningen Museum, and the Centre Georges Pompidou.
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